The photographic art and mixed-media of G. Elliott Simpson subverts erotic male archetypes. Superheroes, cowboys, and outlaws enact a kinky theatre of the macabre, a death cult menagerie inspired as much by grotesque transformation as by beauty. The GES purgatory, depraved and haunting, tribal and dark, is also polished and compellingly beautiful. If Goya or Joel Peter Witkin fancied alpha males in latex or bondage, they might have had similar gothic, occult-laced nightmares.